Venus Rising portrays a magical realist landscape of low hills under a dawn sky. In the foreground, the Venus de Milo—a symbol of Eurocentric art history—stands beside a stark white museum wall, its shadow stretching across the earth. Looming in the distance, a colossal pre-Columbian “Venus” de Tacarigua leaps over the hills, stirring clouds of dust as it approaches. Above, the planet Venus hangs in the sky, bridging these two figures and symbolizing the pervasive influence of Eurocentric knowledge systems. The Roman-named planet reminds us of how colonial systems have renamed and reframed the world, shaping global understandings of history and even the cosmos.

This painting enacts a mutual haunting. The “Venus” de Tacarigua, miscast under a Eurocentric lens, asserts its presence by “haunting back” the Venus de Milo, revealing the fragility of the Western art canon’s claim to universality. Yet, the haunting is joyous, reflecting the vitality and resilience of pre-Columbian cultures. By embracing dynamism and play, “Venus” Rising demonstrates how ancestral and digital processes can forge new paths toward cultural reclamation and renewal.